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Killing the Messenger

by David Rovics

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1.
When someone blew the whistle back in 2006 It was a matter of a password and a couple of clicks To safely send files and protect the source While sharing all of the important bits, of course With a database that’s searchable, all around the Earth That exposed the rich and powerful, showed us what they’re worth Showed us the corrupt ways they run affairs From Iceland to the Indies to almost everywhere Making clothes transparent on emperors all round Everywhere that whistle-blowers are to be found Wikileaks was too effective, it had to be beaten out Let there be no doubt Now they want to kill the messenger, while most of us stand by Just waiting for this prisoner to die Daniel Ellsberg blew the whistle on war crimes He called out for someone to step up this time With Wikileaks’ assistance when Chelsea Manning did On US torture and mass murder she blew the lid And the war on Wikileaks went into overdrive As the authorities tried hard to make sure it couldn’t survive With charges plucked from history, the Espionage Act Is being used against Assange under the extradition pact Not just Republican war criminals, but Democrats, too Had it out for him now, for telling what he knew When the DNC rigged the race Got Clinton the nomination, put Sanders in his place Now they’ll call him a foreign agent, say he should be shot They’ll call him a narcissist, whatever defamation they got They’ll say he’s not a journalist, unlike the ones in Moscow Reporting on the criminals that we allow Reporters to report on – we give them the Nobel While this Australian is caged and sent to hell
2.
When Julian met Stella, in the embassy In the only room for seven years that he would ever see Guarded by police, with cops on every street An unusual situation for the first time you should meet When Julian met Stella, the time they spent Was increasingly within the walls of a little tent Where they could have some privacy from the ever-present gaze Under which he was spending all his nights and days When Julian met Stella, there was the chance of grace Perhaps the president would decide to drop the case They had two children beneath the watchful eyes Of the Americans and British and all kinds of other spies When Julian met Stella, on Embassy Row It was before he was abducted and forced to go To Belmarsh Prison, without a chance to speak Awaiting the extradition that the USA seeks When Julian met Stella, the folks at the UN And people all around the world spoke out then This journalist belongs among the free Not in prison for exposing crimes against humanity When Julian met Stella
3.
Behind these prison walls there’s a man who’s won awards For the work that he has done and all that it affords Such as the knowledge of the horrors committed in our name They can’t stop the message, so the messenger gets blamed Behind these prison walls, in solitary confinement In a land of rolling hills and royalty and other such refinement Is someone who is a hero to whistleblowers everywhere Who helped them tell the world of the crimes of Tony Blair Behind these prison walls you will find a mortal man The reason why we know what happened in Afghanistan When the soldiers of the empire whose sun set long before Were torturing civilians in their terror war Behind these prison walls is a part of Wikileaks An eloquent orator, but you won’t hear him speakh Locked away in silence, one who knows too well How those in power act when there’s another war to sell Behind these prison walls is one who stands accused Of exactly what offenses, the US has refused To say precisely which, or to try to clear the mist Or to explain how he’s not the same as other journalists Behind these prison walls is a person they’d deprive Of most of the things in life that keep us all alive A person being tortured, as we stand here now For revealing the war crimes – why, when, where, how Behind these prison walls, our very right to be informed Of what the hell is going on is the teacup in this storm With knowledge there is power, so the solution by the Crown A 24-hour-a-day, indefinite lockdown Behind these prison walls
4.
Across the ocean wide, where many ships have been Where many long remember those passengers within All of those whose families were buried or in jail In the killing fields of Spain, when the Winnipeg set sail Across the ocean wide, across the open seas A world better than the camps the French authorities Threw the people in, and if they lived to tell the tale They’d be the lucky few, when the Winnipeg set sail Across the ocean wide, the ship was met at bay By the throngs of people who just had to come that day In 1939, to cheer and cry and say all hail Solidarity – when the Winnipeg set sail Across the ocean wide was where they had to flee The thousands upon thousands of Spanish refugees From the lands of Europe, where humanity had failed To the shores of Valparaiso, when the Winnipeg set sail Across the ocean wide was where they would remain As dictatorship would rule for half a century in Spain Torpedoed in ’42, now it lies upon the shale One voyage will outlive her – when the Winnipeg set sail Across the ocean wide
5.
Winnipeg 04:10
The war came, men were drafted, many never made it back Those who did discovered in their absence they’d got the sack Tenements in squalor, both rats and people getting sick What they had in common, life was short, death was quick No one had a plan, what they were going to do When all the men came back home and the ranks of the unemployed grew The way the people had to live was no life at all But it still came as a surprise, how many answered the call If you weren’t there you’ll never know just what it was like When the whole city went on strike City leaders and newspapers, in many ways they tried To do everything they could to widen the divide Between good Canadians and those they called “alien scum” Between those who missed conscription and those who beat the war drum But when the veterans marched in Winnipeg they marched for everyone Under the banner of the working class, the One Big Union Everybody left their jobs, whether organized or not Even the policemen walked away, refused to embrace the rot Chorus The mayor deputized the scabs, soon they shot two men Who died in the city center on the hour when The scabs rampaged through the city, attacking anyone in the street Trapping people in alleyways, not even allowing them to retreat Soldiers occupied the city, people hadn’t eaten in weeks The prospects for victory began to look bleak People went back to their jobs, if indeed they even could The bosses said they’d seek revenge and many of them would Chorus Strike leaders were imprisoned, from where several were elected To the Canadian parliament, and a monument was erected At Main and Portage, where a street car was overturned Driven in by strikebreakers on the spot where it was burned It was a century ago but life is often still defined By which side you were on on that picket line Was your grandpa shot in the heart or did they break his leg When the working class rose up and shut down Winnipeg Chorus
6.
Missile strikes in Baghdad, skies full of fighter jets The tension in the air, as thick as it gets Their talking points are loaded, at each press conference With what passes for an effort at historical reference They talk of things that happened over forty years before That they say now bring us to the edge of world war They talk about the hostages, so let us now rewind When the students took the embassy, just what did they find? When the students took the embassy, I was just a kid But I remember well, the first things they did Let all the women go, while collecting all the trash All the shredded documents that weren’t yet turned to ash All the shredded documents that clearly showed The torture and corruption, how the power flowed The concept of a captured state was one the Shah defined When the students took the embassy, just what did they find? When the students took the embassy, they found the crimes of Savak Had the CIA hiding under every rock And that’s where they had been, where the agents were based They had a staff of thousands there, from there they laid to waste The dreams held by so many for a free society Like the one they overthrew, back in 1953 Historic crimes exposed, in the shredder once consigned When the students took the embassy, just what did they find?
7.
Their country was invaded and destroyed Then they had a baby boy They sold everything they owned So they might escape the war zone They took the Baltic Route, north and west It was the one the smugglers said was best They got as far as Germany Which is where they had another baby It’s a deadly thing, what some call immigration England was their final destination In a crowded van, driving to the port On past Flanders’ fields, yet another life cut short Cops on every side, the vehicle surrounded When the loud crack sounded Mama held her daughter, tight in place Then she saw the bullet hit her face And Mawda was her name There are many ways to stop a van Many ways to do it – they can Make a roadblock, for one If you’re under fire, you can use your gun But all the bullets flew in one direction At first they denied it, but at closer inspection The cop was aiming for the driver’s head But he missed and hit the girl instead And Mawda was her name And if the driver had been hit, how many more Numbers would be added to the score Of those who only wanted to raise a family But then died on the shores of Turkey Or somewhere in the desert, or tortured in a prison Or on the bottom of the ocean At a Baghdad checkpoint, or at a traffic stop Or shot down by a Belgian cop And Mawda was her name
8.
Every time I leave the apartment, things change a little more The rug pulled out so many times, who knows where’s the floor Folks look more ragged by the day, I can give ’em a few bucks Wonder what the future holds, wish them luck As I walk on by See the people on their porches, chairs out on a deck Sometimes you can tell which ones received their checks And which ones are still waiting after all these many weeks Wondering if this is what it smells like in Shit’s Creek When my children ask me, I’m not quite sure what to say Why the playground’s always empty where the kids all used to play Why the people cross the street now whenever we come near Where did all the people go, who used to be here I go out with my headphones on, like everybody else does Listening for news, suddenly relevant, because We all want to know how the virus might transform All of us still here, weathering this storm
9.
His family moved from Denver to Aurora Mama thought they’d be safer out there Away from all the hubbub of the city Closer to the mountains and fresh air Some kids are into fancy cars and football Or getting lots of tattoos on their shin But Elijah played the violin Some kids are into hamburgers and hot dogs Other kids just do things their own way Elijah was a vegetarian And on his lunch breaks he would go and play Music for the animals at the shelter The staff would welcome their young comrade with a grin Elijah played the violin As a young man Elijah moved in with his cousin He became a massage therapist He had a kind and open hand While others only knew the fist Such as the men in blue who were called one night To assault their unknown kin Elijah played the violin They slammed him into the wall, they threw him to the ground Although he made no effort to fight back They choked him til he vomited, and then they did it more No body cams recorded the attack Elijah said he couldn’t breathe, he was begging for his life So they shot him full of ketamine Elijah played the violin He went into cardiac arrest – soon after, he was dead And he had not committed one offense Aside from being Black in these dis-United States And trying to exist in the preset tense Nothing happened to the cops, they were just following procedures Killing people for the color of their skin Elijah played the violin
10.
Ten thousand yuppies just moved here Ten thousand others came last year The rent has doubled since I moved in Each month I take it on the chin Each month I wonder how many more Can I stay in Portland before Before I move into my car Or end up somewhere behind bars Ten thousand yuppies say don’t complain Now that the city is in the fast lane It’s just the market and it knows best That’s how the bankers built the west So just get rich and you can stay Otherwise just go away There’s no room here for us Holding on under the bus I’m just a renter, this ain’t my town Might as well just burn it down For all I care Ten thousand yuppies think it’s great To invest in Portland real estate “Keep Portland weird” they like to say But that was over yesterday Of their achievements they’re so proud Living lives in some cloud But unlimited data will get you nowhere If you can’t afford to care Chorus Ten thousand yuppies and on each block They’re flipping houses and taking stock Where’s the next place they can transform Tents and mansions, the new norm They like Ted Talks, they like greed They like wine bars, they like weed They like bike lanes, they want more They’re the face of the new class war Chorus
11.
Like an old cloth, torn and fraying It came like a clarion call To illustrate the saying United we stand, divided we will fall A thin veneer torn by disease Shredded, the great con laid bare Come from across the seas Now floating in the air Like a corpse that’s lying exposed That all of us now can see All that the cadaver shows About a society The veil of fantasy lifted That gives us at least some idea how Another world is possible And I can hear her breathing now Like the red blood that flows from the bullet Whether coated in rubber or not Like the faces you see in the helmet Reflecting the thickening plot Driven by such a villain As a thing exponential allows It says another world is possible And I can hear her breathing now Like the pallor on so many faces On every end of the town On the murals in so many places Boarded up and long ago shut down Making all the connections Between the mule and the plow That another world is possible And I can hear her breathing now Like the smoke rising up coast to coast With formations that brighten the skies Like Lord Thomas Jefferson’s ghost His victims no longer disguised As his visage falls into the river Like the skull of an old sacred cow That says another world is possible And I can hear her breathing now
12.
Wake up another morning, see my baby’s cheeks Glad to be around to have another week To watch the magic happen, find all there is to learn As the planet floods and burns Wake up another morning, grind some coffee beans Turn on Al-Jazeera, marvel at the scenes Towns reduced to ashes, while the twisters turn As the planet floods and burns Wake up another morning, picking on these strings One more day to be here, find out what life brings The horizon’s red and hazy, that much I can discern As the planet floods and burns Wake up another morning, watch the neighbors drive away Heading to a warehouse to work another day Leaving me to wonder how fast this wind can churn As the planet floods and burns Wake up another morning, see the Twitter trolls Complain about the fascists who are living on the dole Demanding safe space in the boxcar and other such concerns As the planet floods and burns Wake up another morning, see the orange hue Know what needs to happen, don’t know what to do Show me to the ark, where’s the bow and stern As the planet floods and burns Wake up another morning, in the now again If I want to see the future, I can count to ten History, you’ll find it in the tombstones and the urns As the planet floods and burns
13.
At the end of World War 3, amid the lightning and thunder Those left alive, as long as they live, will wonder Was there something that could have been done Before nuclear winter blocked out the sun After the Earth that we once knew was blown asunder At the end of World War 3, any pundits who may still be found Will have heated debates about how the end came around Was it the Black Sea blockade When the rush for the end times was made Or the breaking of promises promised when the wall came down At the end of World War 3, as people look for clean water to drink As they’re dreaming of the days when they had a kitchen sink Wishing they could try again To talk to belligerent men Back when we were hanging on the brink At the end of World War 3, when everyone has the same thought Is this what imperial intransigence wrought Life under occupation Or the end of creation Decisions that decades of lost opportunities brought At the end of World War 3, with billions dead or dying It won’t matter who was right, or who was lying When civilization has ended Once the last warhead descended Only then will there be no one left denying At the end of World War 3, as the few left alive Survey the rubble remaining, wondering how long they’ll survive Too late to question the story Of expansion or conquest or glory No time to rewind from the date Armageddon arrived At the end of World War 3
14.
One day you’re working, the next you’re not And what you have is what you got You lost the job you thought you’d keep You wake up at night, you can’t sleep You got time now – time to dream Time to break down, cry and scream And the Earth spins round again Sometimes your goals of any size Just vanish in front of your eyes And all that’s left is what you see Like the squirrel outside your window in that tree And on the man there on the screen Who wants us to try injecting Listerine The dice are up, no telling where They’ll land when they come down from the air Everything can change and fall apart It can affect your lungs and your heart Assumptions thrown, they’re in the breeze Who knows what they’ll be, when we’re done with this disease One day you’re OK, things are alright then all of a sudden, overnight Foreclosed, evicted, living in cars Empty hotels and wine bars Wake up to learn our collective fate Depends on how we cooperate
15.
When the world has gone crazy And it’s all becoming clear When they’re gunning down our comrades And it seems the end is near As they’re loading up the launchers For the tear gas grenades We can take off our bandanas And kiss behind the barricades When it’s madness all around You can see this at a glance We will cry and we will sing And we will laugh and we will dance As they shout their marching orders Beneath the helicopter blades We will seize the moment For a kiss behind the barricades They will try to break our spirit And at times they may succeed But our love for the world Is stronger than their greed When the building is surrounded And hope begins to fade In my final hour A kiss behind the barricades As the movement grows There will be hills and bends But at the center of the struggle Are your lovers and your friends The more we hold each other up The less we can be swayed Here’s to love and solidarity And a kiss behind the barricades

about

Following a tradition we established recording Strangers and Friends in 2019, three of us converged from three different continents on a farm on an occupied island to record an album with a local multi-instrumentalist/engineer, in this case the Big Island of Hawai'i, on Chet Gardiner's coffee farm.

The songs we recorded mostly had never had any kind of band treatment, and mostly were written by me between 2020-2022.

The album opens with a trilogy of songs about the persecution of Australian journalist, Julian Assange, including the title track. The rest of the album meanders between hidden history and the present day. Beyond the initial trilogy, an album theme might be a tenuous proposition, besides the broad notion of songs about history and current events, but it seems very notable that we are singing about a journalist imprisoned for helping to expose US war crimes in Iraq, during a time of war, in a country with such a history of empire, and other songs on the album explore various aspects of that empire.

credits

released March 19, 2023

Those gorgeous harmonies are Lorna McKinnon, from Scotland, and Kamala Emanuel, from Australia.

Chet Gardiner -- from Hawai'i, where we recorded everything in the last half of January, 2023 -- also adds some harmonies occasionally, and lots of guitars, basses, synthesizer, and engineering magic.

Solomon Choo is the one playing harmonica on several of the tracks.

I sang and played cello and irish bouzouki.

Billy Oskay had all kinds of useful input on the project, though he didn't end up contributing to this one musically.

Cover art by the brilliant Eric Drooker.

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David Rovics Portland, Oregon

Singer/songwriter, writer, podcaster (on Spotify, Substack & Patreon), anarchist, dad, lover of life.

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